Yet it is still within our reach, with the help of grace-and Mary’s fiat guides us in the way of grace. Taking the Lord’s will as our own is a tremendously difficult task for those of us not immaculately conceived. At the word of an angel, she offered herself and her fiat to God. There is no greater example of following the will & commandments of God than Our Blessed Mother. The fringes (or tassels) described in Numbers 15 fits Our Lady perfectly! The tassel served to remind the Israelites of their priorities. So you shall remember and do all my commandments, and you shall be holy to your God.’” ( Num 15:37-40) You have the fringe so that, when you see it, you will remember all the commandments of the Lord and do them, and not follow the lust of your own heart and your own eyes. “The Lord said to Moses: ‘Speak to the Israelites, and tell them to make fringes on the corners of their garments throughout their generations and to put a blue cord on the fringe at each corner. The key point of the color’s significance is eleven chapters later: Only at the appointed time ( John 2:4) did He reveal Himself to the world. He specifically dwelt within one person, Our Blessed Mother, the New Ark of the Covenant! And, as the blue cloths protected the sacred vessels for thirty years, the ultimate Sacred One was enclosed by Mary covered from the world, in a sense. God chose the purest woman, then, when “the Word became flesh, and dwelt among us” ( John 1:14). Only the purest articles were used in the tabernacle, the dwelling of God on earth. Mary was full of heavenly grace from the instant of her conception. We could look at the blue cloths that cover the sacred vessels as a representation of her Immaculate Conception. Priestly garments were to include some blue, as well as altar cloths that covered the Ark of the Covenant and other sacred vessels in the tabernacle ( Num 4:6-12). The color blue had brief but significant mention in the Old Testament. It has its roots in the Old Testament, Church history, and her apparitions throughout the last several centuries. Use of the color blue for the Virgin Mary goes beyond those basic associations. Tranquility befits Our Mother, who kept all the events of her Son’s life in her heart (cf. The color blue has enough general associations that we can apply to Mary: it is the color of the sky/the heavens, and represents peace and tranquility. It’s so common that many Catholics take it for granted. With a quick image search online, nearly every image that pops up has Our Lady wearing something blue. The museum has all the versions of this painting.One of the most common colors used in statuary and iconography for the Blessed Virgin Mary is blue. In other versions, the woman was painted with beads in her right hand and her face was more expressionless. In the first version, the woman simply leaned to her side. Henri had made some adjustments to his painting. The painting is currently at the Philadelphia Museum of Art in Philadelphia, USA. Part of being a skilled painter is the ability to mix colours well. If the painter chose to paint the background blue while the lady retains her blue dress, it would be overly confusing as to what she is wearing. Each of the colours contrasts each other such that you can differentiate an object from another. He admitted the colours depicted the relationship between light (white) and space (blue).Ĭritics have pointed out how the painting is simplistic due to the skilful use of a few colours like red, yellow, blue, black and white. The dress has two distinct colours: white and blue. He wrote to a painter named Pierre Bonnard that his drawing conveyed the emotions he felt at the time. This is an era where artwork was distorted or exaggerated to convey an artist's emotion rather than the outward meaning of the painting. The painting was made during the Expressionism Era. This painting may have been ahead of its time since this was the only time she wore the dress. Just like in modern fashion runway shows, you will notice models wearing dresses that a person would not wear in public. The painter may have intended for his audience to focus more on the dressing than the woman. The painter had bought some fabric from Paris and then she used the fabric to make the robe shown in the painting.Īn average person looking at the painting will first point out how exaggerated the dress looks. Lydia had been working for Henri for the last twenty years. The woman in the painting was Lydia Delectorskaya. We are going to learn what inspired him to paint this artwork, its symbolisms and where the piece can be found.
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